Art and Industrial Production

In “Art and Industrial Production,” from Telos 57 (Fall 1983), philosopher Albrecht Wellmer provides an ethical-aesthetic account of art and industrial production by analyzing the nature of their intersection in twentieth-century architecture. Wellmer charts parallel trajectories of philosophical thought and architectural endeavors, from the progressive aims of the German Arts and Craft Society through a critical response in postmodern principles of design. Through explicating the recurrent failure of realizing ethical praxes in both modern and postmodern architecture, Wellmer reorients the discordance of industrialized art production and the goals of living subjects from an overestimation of “production-aesthetics” to an insufficient account of “use-aesthetics.” Wellmer’s exegesis conveys an urgency of revising and clarifying the sociopolitical affordances of design and production in order to advocate for an ethical communication of industrial culture.

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