Between Localism and Cosmopolitanism: A Look at Zhou Zuoren’s Early Construction of the Individual

Lisa Chu Shen’s “Between Localism and Cosmopolitanism: A Look at Zhou Zuoren’s Early Construction of the Individual” appears in Telos 180 (Fall 2017), a special issue on Cosmopolitanism and China. Read the full article at the Telos Online website, or purchase a print copy of the issue in our online store. Individual subscriptions to Telos are now available in both print and online formats.

This essay examines the modern Chinese intellectual Zhou Zuoren’s imaginations of the modern individual along the lines of the nation, the locality, and the world in the tumultuous historical period of the early twentieth century. It is argued that his oscillations between these geographical categories constitute one of his most complex and intriguing intellectual struggles. They reflect an intellectual’s critical capacities to think and reflect as he responded to the vicissitudes of the times. The article looks at Zhou’s essays, both analytical and critical, which form the basis for the three stages into which his thoughts are divided, representing the gradual transitions from one set of tendencies to another—from nationalism to cosmopolitanism to (cosmopolitan) localism.

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“At Home in the World”: Hong Kong as a Cosmopolitan City in Xu Xi’s The Unwalled City

Melody Yunzi Li’s “‘At Home in the World”: Hong Kong as a Cosmopolitan City in Xu Xi’s The Unwalled City” appears in Telos 180 (Fall 2017), a special issue on Cosmopolitanism and China. Read the full article at the Telos Online website, or purchase a print copy of the issue in our online store.

Hong Kong is unique for its hybrid nature in language and culture. Drawing upon Ulf Hannerz’s model of cosmopolitans and locals, this paper argues that Hong Kongese are cosmopolitans and locals in one, other than the dichotomy raised by Hannerz. The paper considers how Xu Xi’s novel The Unwalled City questions any overarching or simplified understanding of cosmopolitanism and its utopian parlance of seamless linguistic-cultural coexistence. For Xu Xi, writing in English provides a crucially literary tactic with which to construct her multiple ethnic identities and eclectic images.

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