Gillian Rose and Social Theory

This article examine Rose’s claim in Hegel Contra Sociology that Hegel’s philosophy, properly understood, is able to provide a better way to do sociology. It understands this claim as one of method and metatheory: by better appreciating the logic of sociology and the social nature of logic, and the relationship between theory and metatheory, social theory may be less prone to make certain errors. Rose found in Hegel’s logic and phenomenology the way to such understanding. By pushing Rose’s work in a direction she did not explicitly take it, this article shows how it nevertheless addresses some central debates in sociological theory. It finds that her version of Hegelian conceptual knowing can speak to and cope with issues of logic and the sociology of knowledge, the repeated recurrence of contradictions and antinomies in sociology, and issues of emergence and the social totality. It finds a possible source of the repeated recurrence of positivism in sociology suggested by Rose’s critique of neo-Kantianism: faulty methodological self-understanding. Rose’s work on social theory can then be seen as in part offering a better account of what good sociology already does. While in no way imagining that this approach does justice to the whole of Rose’s thought, it shows her fiercely theoretical work is effective not only in philosophy but also in sociology, which is consistent with her dismay at their disciplinary separation.

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Reconsidering Adorno’s Melancholy Science

Wesley Phillips’s “Melancholy Science? German Idealism and Critical Theory Reconsidered” appears in Telos 157 (Winter 2011). Read the full version online at the TELOS Online website, or purchase a print copy of the issue here.

What is the relationship between theory and praxis today? During the 1960s, Adorno’s melancholy science was reproached with the charge of resignation, echoes of which have continued up to the present day—whether in Agamben or in praxis-oriented radical thought. In what is the most substantial critique to date, Gillian Rose initially sympathized with Adorno only to reject his neo-Kantian Marxism—the problem being that the melancholy science would involve a masochistically infinite task concerned with the recovery of an irretrievable utopia, leading to a methodological detachment from the social object. Understood in this way, the question of finite social praxis becomes an immanently philosophical matter. While following Rose’s orientation toward German idealism—for its imagined critique of neo-Kantianism and theory-ism—this article argues that, due to his unsatisfactory treatment of historical suffering, a return to Hegel alone (albeit after Marx) is insufficient. Rather, a dialectic of Hegel and his adversary Schelling suggests a distinctive account of determinate activity that avoids Melancholia without rejoicing the actuality of world spirit. This is made possible by way of an affinity between conceptions of melancholy and history in Schelling and Benjamin, from whom Adorno develops his traurige Wissenschaft.

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