Telos 194 (Spring 2021): Political Theology Today

Telos 194 (Spring 2021): Political Theology Today is now available for purchase in our store. Individual subscriptions to Telos are also available in both print and online formats.

What does political theology mean today? At the Telos-Paul Piccone Institute conference from which many of the essays in this issue originated, a primary goal was to discuss the crisis of secular liberalism and “how faith is reshaping culture and politics today.” But even this project perhaps limits too much the scope of political theology, implying that we have a choice between reason and faith, or that political theology is a commitment to faith rather than an analysis of the element of faith that underlies all of our endeavors. The idea of political theology begins with the premise that every existing human order is built upon some understanding of ultimate meaning. The task would then be to analyze the kind of meaning that each existing order embodies and determine the kinds of decisions about meaning that are made and need to be made at various points in its history. Even secular liberalism, to the extent that it constitutes an existing order, presumes some answer to this question of meaning, and a closer look at the political theology of the United States reveals a mythic dimension that underlies its liberal democratic processes. The essays in this issue examine the political theological underpinnings of economy, politics, technology, and religion, laying out the ways in which these areas of human life develop not as autonomous spheres but as the result of struggles over a set of political theological choices.

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Models of Representation in Carl Schmitt

As an occasional feature on TELOSscope, we highlight a past Telos article whose critical insights continue to illuminate our thinking and challenge our assumptions. Today, Charles Kollmer looks at Stephanie Frank’s “Re-imagining the Public Sphere: Malebranche, Schmitt’s Hamlet, and the Lost Theater of Sovereignty,” from Telos 153 (Winter 2010).

In “Re-imagining the Public Sphere: Malebranche, Schmitt’s Hamlet, and the Lost Theater of Sovereignty,” Stephanie Frank outlines a compelling approach to Carl Schmitt’s complex oeuvre. She sets out to rectify a common mistake made in existing treatments of Schmitt; in studies of Schmitt’s early work Roman Catholicism and Political Form (1923), scholars tend to rely on a later work, Constitutional Theory (1928), as an explanatory crutch. Both texts model representation, but a conflation of their respective models obscures how Schmitt’s project changes between the works. As a corrective, Frank traces the nuances of Roman Catholicism‘s model back to the influence of seventeenth-century theologian Malebranche, who in turn influenced the eighteenth-century revolutionary Abbé Sieyès. By grounding Roman Catholicism in this historical context, Frank not only sidesteps the circularity of her colleagues’ interpretations but also lays the groundwork for a persuasive reading of Schmitt’s turn to aesthetics in Hamlet or Hecuba (1956).

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