By Loren Kruger · Thursday, July 5, 2012 Loren Kruger’s “Literary? Public? Proletarian: Öffentlichkeit and Erfahrung among the Haymarket Martyrs” appears in Telos 159 (Summer 2012). Read the full version online at the Telos Online website, or purchase a print copy of the issue here.
This article uses Negt and Kluge’s conception of proletarian Öffentlichkeit or public spheres and practices as a point of departure for analysis the writing and speeches of the social activists who were tried and executed for anarchism and other crimes against law and order after the Haymarket incident in Chicago in 1886. This analysis includes contextual commentary on the Great Chicago Fire, the contribution of Germans and other immigrants to socialist agitation in the United States and thus to the practice of tactical cosmopolitan and transnational culture, and the legacy of the Haymarket for current critics of capitalism from the Industrial Workers of the World to the Occupy Movement.
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By Frederick Wertz · Wednesday, July 4, 2012 As an occasional feature on TELOSscope, we highlight a past Telos article whose critical insights continue to illuminate our thinking and challenge our assumptions. Today, Frederick Wertz looks at Luigi Marco Bassani’s “Jefferson, Calhoun and States’ Rights: The Uneasy Europeanization of American Politics,” from Telos 114 (Winter 1999).
In an enlightening piece, Luigi Marco Bassani reopens the door on an all-too-closed chapter of American political discourse: states’ rights. He poses a question that he sees to be the crux of one of the most permanent issues in American history: “In 1776, did the thirteen colonies separate themselves from Great Britain collectively or singularly?” This question, regarding the role of the Federal government in American society, was the essence of American politics for nearly a century. Though political debate and war in the 19th century resulted in an irreversible consolidation of federal power, the issue still crops up in the American political ethos during times of crisis or extreme polarization. Bassani usefully highlights the two most important proponents of states’ rights, Thomas Jefferson and John C. Calhoun.
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By Sunil Kumar · Tuesday, July 3, 2012 As an occasional feature on TELOSscope, we highlight a past Telos article whose critical insights continue to illuminate our thinking and challenge our assumptions. Today, Sunil Kumar looks at Theodor W. Adorno’s “The Stars Down to Earth: The Los Angeles Times Astrology Column,” from Telos 19 (Spring 1974).
“The Stars Down to Earth” is the content analysis of an astrology column that Adorno wrote during a return visit to the United States from Germany in 1952–53 and appeared in translation in Telos in 1974. The column under scrutiny called, “Astrological Forecasts,” was written by Carroll Righter and appeared in the Los Angeles Times, described by Adorno as a conservative newspaper, leaning far to the right wing of the Republican Party. He engages in a detailed analysis of the column between November 1952 and February 1953. His method is that of the systematic construction of the imagined readers of the column and a critique of the ideology that the column reinforces, that of accepting the social system as fate. Adorno hypothesizes that columns such as these mold to some extent the reader’s thinking and foster an element of blind acceptance. The impetus of the piece, as in “The Thesis against Occultism” (1947), is to highlight the tendency toward irrationality and authoritarianism in mid-twentieth-century Western culture. In the analysis of the column, this irrationality is reflected by the readers’ acceptance of the column’s absurd claim to be inspired by the stars, and the need to look for guidance and succor in the advice of an expert authority on mundane matters. The stars stand in for the reader of the column as a source of authority, and the belief in astrology represents for him or her a belief in a higher order—one that also appears to present to events a veneer of rationality to its opaque origin.
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By Jaimey Fisher · Monday, July 2, 2012 Jaimey Fisher’s “Citizen Soldiers and Militarized Nostalgia: Genres of War and Place in the 1950s Public Sphere” appears in Telos 159 (Summer 2012). Read the full version online at the Telos Online website, or purchase a print copy of the issue here.
One of the most celebrated postwar German films, Bernhard Wicki’s The Bridge (Die Brücke, 1959), has garnered remarkably little scholarly attention, but the film both reflects and engages fundamental changes in the German public sphere in the 1950s and 1960s. It has traditionally been assumed (right through the present) that the 1950s was an era driven by an emphatic forgetting of Germany’s criminal wartime past, but recent work reflects a turn in our understanding of the 1950s thinking about this past. It is now increasingly acknowledged that 1950s society and culture did engage the past, but in often highly refracted ways. One of these ways comes into focus with the cinema, particularly in the dominant genre cinemas of the 1950s. While the so-called Heimatfilm has dominated scholarly thinking about film in this era, the war film (as the second most popular genre of the decade) was also a crucial means to represent, but also distort, memories of the Nazi period. The essay considers the role of the war film in the public sphere as well as the representation of the public sphere, and its politics, within the war film genre. The small-town counter public sphere detailed in The Bridge, in fact, shows the film’s engagement not only with the recent war and 1950s memory culture, but also with that other most popular genre of the time, the Heimatfilm.
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By Telos Press · Friday, June 29, 2012 Jean Lassègue reviews Jens-Martin Eriksen and Frederik Stjernfelt’s The Democratic Contradictions of Multiculturalism, now available in English translation from Telos Press.
The subject of Jens-Martin Eriksen and Frederik Stjernfelt’s book is the concept of multiculturalism and how it relates to organized religions conceived as purveyors of norms in the public sphere. If, in order to justify this approach, one were to draw a comparison with the famous analytical framework conceived by Karl Polanyi in The Great Transformation, which demonstrated that as from the second half of the 19th century, the economy had striven to absorb society instead of being governed by it, one might ask oneself if the question today is not whether religions are attempting the same endeavor, beyond the secular episode which slowly took shape in Europe until it prevailed in the 20th century, by trying to reverse society’s independence from any kind of external metaphysical foundation seeking to encompass it. From this standpoint, the examination of the relationships between Islam and multiculturalism takes up a significant part of the book, precisely because Islam is the only religion that to this day views its sphere of action as encompassing society and as including a proselytic component, an outlook which Christianity and Buddhism would (maybe temporarily) seem to have renounced. One can therefore readily understand the author’s chosen angle of approach, which bears for the most part on the place that should be afforded to organized religions, and especially to Islam, in the public sphere of liberal democracies at the highly specific point in their history where collective debate has progressively crystallized around the question of multiculturalism.
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By Eleanor Courtemanche · Thursday, June 28, 2012 Eleanor Courtemanche’s “Marx, Heine, and German Cosmopolitanism: The 1844 Deutsch-Französische Jahrbücher” appears in Telos 159 (Summer 2012). Read the full version online at the Telos Online website, or purchase a print copy of the issue here.
This article argues that Marx’s economic cosmopolitanism was formulated, in part, as a response to the exiled radical poet Heinrich Heine’s satirical attacks on German nationalism. In Paris in 1844, the young journalist Marx collaborated with the revered Heine on the Deutsch-Französische Jahrbücher, which was meant to join German metaphysics and poetry with French socialist politics. Like Heine, Marx was a secular Jew from the border region of the Rhineland who saw French revolutionary politics as Germany’s inevitable destiny. While Heine wrestles with nostalgia for a backwards Prussia in Deutschland: Ein Wintermärchen (published in Vorwärts! in 1844), Marx’s “Critique of Hegel’s Philosophy of Law” argues that Germany must accomplish a difficult backwards somersault (“salto mortale“) over the dialectical boundary of the Rhine to transcend the impasses of French politics and British industrialism. Both Heine and Marx transformed their critique of Prussian autocracy into a more generalized cosmopolitan radicalism, though Heine’s aestheticism is sometimes confounding to Marxist critics. Meanwhile Marx’s engagement with the German tradition of Nationalökonomie is complex: while he critiques the Prussian nationalist use of free trade theories, the internationalism of his economic vision brings him closer to the British classical tradition of Smith and Ricardo than to German romantic protectionists like Friedrich List.
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