In today’s episode of the Telos Press Podcast, David Pan talks with Matthias Schwartz about his article “Servants of the People: Populism, Nationalism, State-Building, and Virtual Reality in Contemporary Ukraine” from Telos 195 (Summer 2021). An excerpt of the article appears here. In their conversation they talked about the history of the Euromaidan and how it contributed to nationalism in Ukraine; the election of President Volodymyr Zelensky, who previously portrayed the president of Ukraine in the hit TV show Servant of the People; the way that Zelensky’s presidency undercut the nationalist form of politics by decoupling nationalism from populism; and the changes that Zelensky has (or has not) brought to Ukrainian politics. If your university has an online subscription to Telos, you can read the full article at the Telos Online website. For non-subscribers, learn how your university can begin a subscription to Telos at our library recommendation page. Print copies of Telos 195 are available for purchase in our online store.
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Dafna Zur’s “You Can’t Write ‘Pak’ on Television: Language as Power in Hebrew K-pop Fandom” appears in Telos 184 (Fall 2018), a special issue on Korea. Read the full article at the Telos Online website, or purchase a print copy of the issue in our online store. Individual subscriptions to Telos are available in both print and online formats. Korean popular culture first arrived in Israel with the airing of Sweet Samsoon in 2007. What began as a cable channel’s cautious experiment with the tastes of a fan base accustomed to South American telenovelas turned into an unpredictably successful venture. Korean dramas have since appeared regularly both on cable TV and through fansub sites, delivering romantic comedies, action-packed adventures, and historical dramas to their fans. The reception of Korean pop culture in Israel challenges a traditional understanding of its reception around the world since Israel falls neither within the region that has facilitated Korean pop culture’s transnational circulation, nor have Israel and Korea enjoyed an extended political or economic exchange that would facilitate the reception of Korean cultural products. Peter Yoonsuk Paik’s “The Korean Wave and the Impasse of Theory” appears in Telos 184 (Fall 2018), a special issue on Korea. Read the full article at the Telos Online website, or purchase a print copy of the issue in our online store. Individual subscriptions to Telos are available in both print and online formats. South Korean popular culture has achieved startling success across much of the globe during the past decade. The first transnational form of popular culture that is not the legacy of an imperial project, the efforts to understand the significance of the “Korean wave” have been hampered by dominant scholarly approaches in the humanities that are not capable of grasping both its emergence and its appeal. This article argues that a key reason for the appeal of South Korean television and film is the fact that they explore the clash between tradition and modernity. South Korean media resonates with peoples across the world who are living out the conflicts between tradition and modernity and are thus eager for models for negotiating the competing demands of the two. |
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